Water towers too

It feels like a stereotype —
the windmills, the old ford truck,
the cows in pasture —
and yet that’s my view.

There’s also the 70 mph
two-lane road and
the broken down barns.
The sky would normally be
empty for miles and miles,
but it’s grey and overcast.

The sun is setting,
orange light silhouetting
clouds, and it’s reminding
me of home.

I miss the cradle of the mountains,
the easy flow of the river,
the forests of pine and hemlock.

We passed an old tree
struck down by lightning.
I wonder what that would feel like,
to feel the surge of light,
of electricity.

I can imagine speaking in sparks,
shocking those around me.
I’d never let it stop,
forever giving my body to the light,
shining with each crackle,
each sizzle, of power.

My home would no longer
be that valley,
but a field of grasses
and coneflowers.

Not a bad trade-off,
I suppose, to create a
new home in this place
and share this light with you.

M[o]un[t] Joy

The walls,
built of plaster and lathe,
hold secrets within their cracks.

130 years ago,
the first family gathered wide-eyed,
wrapped in shawls and wool coats.

Mother cradled baby;
father rotated key.

I wish I could lean against the wall,
ear to plaster,
and hear their heartbeats–first steps
into the candle-lit warmth of 34 Congress Street.

Movements of Light

Moonlight dances across their faces,
shining through the cobwebbed windows
and tapping along their lips.

It waltzes over the plane of their cheek,
dipping into the dimples
and trotting around the nose.

The moon shifts higher into the sky,
and the waltz becomes a series of allegro pirouettes,
each spin carrying it closer to the eyes, 
until collapsing on the iris,
out of breath,
shining.

Laughter raises the light once more,
coaxing it into a tango,
weaving through the eyelashes
and up between the eyebrows.

Clouds obscure the moon,
and the light completes it’s last dance.
A Pas de Deux,
adagio,
across the smooth forehead
before taking its final rest in the crook of their ear.