Not an autobiography (pt. 1)

I am the product of love lost
and old fairy tales.

I can recall the stories,
the ones that still stain my heart,
for I believed the lies
as if they were truths,
and they were, at the time,
fibs to keep peace, to ease her pain.

I didn’t know true from false
as I listened too well,
sat in that old leather chair,
and measured the floors by the length
of my kid feet.

I am the aftermath of a hurricane
and the eye of the storm.

Nothing felt safe
as I tried to navigate the tricky
waters of childhood —
simultaneously being a kid
and her confidant.

I kept secrets, heavy,
heavy secrets for her
about him and him. I
learned fear and desperation
each time I sat quietly,
pretending to be oblivious.

I am the result of distressing years
and hundreds of blank pages.

I filled journal after journal
with words I barely knew
to try and make sense
of the four walls she built around me.

My thoughts swirled on the paper,
dark ink tattooing stark, blank pages
that held the potential for anything.

I am the fruit of their efforts
and the cultivation of roses.

Each prickle extruding from my skin,
sharp and abusive,
tried to protect me from the unknowns.

Every once in a while, I recall events
from back then, events I’d rather forget,
having dug so deep to bury them.
I remember her and him,
and her and him.

I remember being in the middle,
not knowing it wasn’t my fault,
because I had yet to develop
the mental capacity to understand.

I am more than them
and yet nothing without the past.

The bones of my hips
and lines of my palms
tell you my story.

They tell you of my path
from there to now,
how I’m chipped yet unbroken
— a teacup well-used.


Shortcomings

Two words sit
at the forefront of my brain:

‘understanding’ and ‘language.’

I’ve struggled with ‘understanding’
for a while now. She sits in the corner,
mocking and teasing and trying
to show me something,

something light in the darkness
of it all. Yet, the more
I gather, the more knowledge
I filter, the more it feels
like I’m wearing a straightjacket
of turquoise ribbons and
blood-red stitching.

How do we communicate
anything? How do we
listen and respond
when our ears and brains don’t
understand the shapes the others’
mouths form — the symbols
the others’ hands gesture?

I feel confined in my understanding
when the shapes and symbols
I make fall short.

What is language when no one
is there to receive? When no one
takes the time to learn — to teach?

Some language transcends
the common standards
of shapes and gestures.

There are few people
I understand through
the fanfare and
in the straightjacket
of turquoise ribbons
and blood-red stitching.

You are one of them,
whether you understand
or not.

If only more could hear
and see beyond the
shapes and gestures.
Perhaps, then
we’d come together.

Coming undone

Phrases keep lingering in my mind,
simple, yet obfuscating ideas
about the existential things
all young poets strive
to dissect
with their words.

‘Life is simply a death worship.’

It’s heavy, existence
in this world.

‘There is so much said in the silence.’

One could point to the
character flaws of humanity —
the ignorant and bitter
ruses of power,
the battles of
pessimistic optimists —
but none of that seems to matter.

‘Everything was beautiful and nothing hurt.’

How do you do it?

‘The heart carries scars.’

How do you see
the world without
faltering?

‘Stuck. Like glue.’

These phrases seem small,
non-consequential at first glance,
yet I feel unsteady in their wake.

‘The world is coming undone.’

Peas

I’ve been wanting to write.

Words swirl around in my brain,
but I have no funnel to let them out.

Once, I wrote that my autobiography
would be written in stanzas —
my last act a poem to the world.

This is not that poem.

The words blink in and out
like fireflies, slowly
shedding light that quickly
extinguishes.

This poem feels like a letter,
a note to you
and perhaps even you.

But I don’t have the words right;
I can’t figure out the order,
as if I’m a type-setter
and this is my printing press
and the letters won’t click in correctly.

I want to tell you about the roots,
the silly truths and lies,
the movement of water across the planet.

I want to explain what is hard to say,
and yet, I’m fumbling.

Perhaps the words don’t matter,
I mean, have they ever?

Maybe the oaks and peas
know about us.
Maybe all that I want to say
has already been said.

More and more and more and more

More
thoughts are spinning
in my head.

I’m literally knitting
bone to bone.
Each mending stitch
carrying me forward;
each throbbing pulse
a reminder.

More
thoughts are slowly
forming and decaying.

I know I’m chipped,
that jagged edges
exist beneath the layers
of paint I applied so carefully.

More
thoughts are lingering
longer than expected.

I could count on one hand
the number of people
who have peeled away
some of these layers.

I fear sharing, letting people in,
because I don’t want
to hurt others
with my own aching.

More
thoughts are settling
deep.

I don’t like *this*
because it feels sticky,
sticky and sad and fill-in-the-blank.

Yet, I know it’ll work out,
taking some unknown direction.

We’re all just navigating, right?


Thoughts of late

Death becomes me —

that’s what I think
as I send an unflattering
photo of my greying
and purple face to you.

It’s the little things,
like the growing ache
and the discolored lips
and the persistent thoughts
that shake me so violently.

My caverness body
echoes with each
dropping pin of emotion,
each forming shadow,
each stirring notion.

I’m holding on
as I always do,
but these rocks
I cling to seem to pull
me further down, down

and I’m sputtering.
I’m looking for something
to glimmer, for
that shining, useful body
I inhabit.

Death becomes me —

that’s what I think
as I stare into the mirror
and see a young girl
peeling herself away from
the world.

I hold on to her
as if she is a balloon,
tethered by spider webs
and ribbon.

She might fly away one day,
accepting an inevitability
of all stardust,
but today she remains rooted,
tied tight around a bruising wrist.

Cradle and grave

What’s the first thought
that comes to your mind
when you hear that phrase?

Is it a sweet memory,
something that curls
up the corners of your mouth?

Does it sting,
leaving an aching
in each nook of your body?

Maybe, maybe
buttercups sprout
from your fingertips,
and bees buzz across
your eyelids

as the words
drip lazily from the page.

I think of laughter,
and living on the road.

I think of Saturday Morning,
and middle spoons.

I think of space facts,
and all of the inevitabilities.

Mostly though,
I think of past and present,
and how it informs the future.

I think of you,
the what-ifs,
and how there is no
right answer.

The moon again

The moon is loud tonight,
clashing cymbals
and drum rolls.

You once said,
in not so many words,
“think of me when you look at the moon
because I will also be looking (but at a different moon, obviously).”

Even in what could be
a serious moment,
you have me laughing.

It’s crazy what happens when
you let people in
and they let you in.

There’s so much
to give and to take,
to hold and to allow
to be held.

I don’t know
if you’re experiencing
the same moon,
but damn is
she keeping me up.

Words and battle scars

I’m still here,
typing with mostly one hand,
the other stiff and swollen.

While not wrapped
from knuckle to bicep,
I am splinted from wrist up.

I’m tired,
though the pain
is mostly gone.

It’s easy to think of you,
with this bodily reminder.

A scar, inches long,
now takes up space
on my word arm.

If sculpted, shaped
into phrases or thoughts,
no words could describe
*everything.*

You’re not to blame,
by the way.

I fell; I broke; I laughed;
and I nearly fainted,
all in good fun.

Scars run deep,
both visible and not.

But I don’t think all scars
are blemishes,
marks of defiance
or pain.

Some are sweet memories,
ways of remembering
passing days
and blue skies.

I hold tight to my scars,
both visible and not,
because I think they mean something —

I think they define me in beautiful,
messy patterns,
like a chipped tea cup glued back together.

You are now a mark,
a scar upon my body.

Thank you for adding
to my story.

It’s long and sad
but oh so beautiful.

You and this floating feeling

I feel like I’m floating,
floating in some great abyss,
but it’s not dark in here.

It’s blinding, blinding
with light and stars
and dust and vastness.

Answers. Plans.
Less distance.

That’s what
I’m thinking about
when I think of you.

These thoughts
aren’t entirely self-driven.
They are out of care, for you.

I grew so attached,
so quickly,
and I think you did too,
else this wouldn’t be so hard.

I’m comfortable
in this floating,
but I know that’s not shared.

What is your gut saying?
Does it align with your left-brain?

I hope I’m not making this harder
for you by sharing these thoughts.

I know, I probably am —
me and my glue-like tendencies.

Yet floating here,
and liking you so dearly,
it feels easy, simple.

I’ve got the feathers,
the breeze beneath my wings
to carry on like this.

Is it sustainable?
Maybe, maybe not,
but I think that’s
something we get to define.